Notes from Source: Anne Carson’s Decreation (2006) interrogates both the reality of the real and the possibilities for expressing glimpsed, sublime meta-realities. The article argues that Carson reverses conventional (masculine) responses to sublime experience, and recuperates the feminine sublime as a radical, exemplary mode that removes – rather than enshrines – boundaries between the subject and immersion in the real.1

Further Notes: _eprint: https://onlinelibrary.wiley.com/doi/pdf/10.1111/j.1600-0730.2011.01041.x