unlost
Relational Bibliography
Works
About
/s?
Category:
II. Works on Anne Carson > E. Chapters in essay collections
II.E.2015.030 | Sentences on Nox
II.E.2015.029 | Stesichorus’ readers
II.E.2015.028 | An Antipoem That Condenses Everything
II.E.2015.027 | The Light of This Wound
II.E.2015.026 | What’s So Funny about ‘Antigonick’?
II.E.2015.025 | X inside an X
II.E.2015.024 | Sappho and the “Papyrological Event”
II.E.2015.023 | The Unbearable Withness of Being
II.E.2015.021 | Lacuna Is for Reign
II.E.2015.022 | Who with Her Tears Soaks Mortal Streaming
II.E.2015.020 | Night in a Box
II.E.2015.019 | The Gender of Sound
II.E.2015.018 | To Gesture at Absence
II.E.2015.017 | Dis-tanz
II.E.2015.016 | How Is a Pilgrim Like a Soldier? Anne Carson’s “Kinds of Water
II.E.2015.015 | The “Dread Work” of Lyric
II.E.2015.014 | Masters of the Open Secret
II.E.2015.013 | From Geryon to G
II.E.2015.012 | “Parts of Time Fall on Her”
II.E.2015.011 | “Some Affluence”
II.E.2015.010 | Anne Carson’s Stereoscopic Poetics
II.E.2015.008 | Sappho
II.E.2015.009 | Antagonistic Collaborations, Tender Questions
II.E.2015.007 | The Pilgrim and the Anthropologist
II.E.2015.006 | Living on the Edge
II.E.2015.005 | No Video
II.E.2015.004 | Who Can a Monster Blame for Being Red? Three Fragments on the Academic and the “Other” in ‘Autobiography of Red’
II.E.2015.003 | What Kind of Monster Am I?
II.E.2015.002 | Bringing the House Down
II.E.2015.001 | On Anne Carson’s Short Talks
II.E.2014.002 | Twenty Poems That Could Save America and Other Essays
II.E.2014.001 | Story’s Stories
II.E.2013.002 | Anne Carson and the Study of Mysticism
II.E.2013.001 | Piecing together the fragments
II.E.2012.001 | “A Sort of Leaning Against”
II.E.2009.003 | Anne Carson
II.E.2009.002 | Autobiography of the Western Subject
II.E.2009.001 | Noisy Brides, Suspicious Kisses
II.E.2008.002 | Anne Carson
II.E.2008.001 | In the Spirit of Process
II.E.2007.002 | Two-Faced Propositions
II.E.2007.001 | Fugitive Places
II.E.2005.001 | Scholarship and Debasement
II.E.2004.001 | Eight Short Views
II.E.1995.001 | Introduction
II.E.2003.001 | The Trouble with Annie
II.E.0.001 | Suspended Temporalities and Classical Reception
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