unlost
Relational Bibliography
Works
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II. Works on Anne Carson > F. Essays and profiles
II.F.2024.003 | Fox and Hedgehog
II.F.2024.002 | How writer and scholar Anne Carson used elegy to piece together fragments of her late brother
II.F.2024.001 | In this Week’s TLS
II.F.2023.009 | Anne Carson’s Autobiography of Red is Way Funnier Than You Remember ‹ Literary Hub
II.F.2023.008 | Anne Carson ironiza con la capacidad para la trascendencia y la cursilería de los españoles
II.F.2023.007 | Ensaios de Anne Carson apontam a arte como a catástrofe dos clichês
II.F.2023.006 | Directing Anne Carson’s Antigonick
II.F.2023.005 | Anne Carson
II.F.2023.003 | Anne Carson. Donde los árboles se elevan sobre el agua
II.F.2023.004 | ‘¿Por qué leer a Anne Carson?’
II.F.2023.002 | Anne Carson
II.F.2023.001 | Anne Carson
II.F.2022.003 | La belleza de Anne Carson
II.F.2022.002 | A Glass Essay
II.F.2022.001 | An Economy of Life
II.F.2021.006 | Yet strong pleasure rises from every sentence
II.F.2021.005 | The right to divorce — literary lessons on break-ups
II.F.2021.004 | Anne Carson and the complex story behind the Chilean translation of The Beauty of the Husband
II.F.2021.003 | Poesía en el teléfono
II.F.2021.002 | 1067 The uncertainty of Anne Carson
II.F.2021.001 | How can the humanities intervene in the pandemic age? A new book of essays explores possibilities
II.F.2020.006 | Con Anne Carson vuelve la fe en que por los jóvenes va a perdurar la poesía
II.F.2020.005 | REMAINING SILENT
II.F.2020.004 | The Changing Mountain
II.F.2020.003 | Delicada y desafiante Anne Carson
II.F.2020.002 | Between tradition and modernity
II.F.2020.001 | On Speaking and Unheard Women
II.F.2019.004 | On the Irreconcilable Temptations of Anne Carson
II.F.2019.003 | PRESENT ABSENCES AND ABSENT PRESENCES
II.F.2019.002 | Shifting Perspective in Anne Carson’s Autobiography of Red
II.F.2019.001 | Inhabiting Language
II.F.2018.004 | READING EKSTASIS
II.F.2018.003 | Spectres of Dying Empire
II.F.2018.002 | “Grief-Work” in/and Virginia Woolf’s Jacob’s Room and Anne Carson’s Nox 1
II.F.2018.001 | The Art of Masks in Anne Carson and Samuel Beckett
II.F.2017.003 | Ad Verbum
II.F.2017.002 | What Binds Them Together
II.F.2017.001 | The Ekphrastic Moment
II.F.2016.003 | The Lake Is a Plate of Itself
II.F.2016.002 | A Throne of Many Hues
II.F.2015.006 | A definite thread spun
II.F.2016.001 | Is Anne Carson the First Poet with More Fans than Readers? | The Walrus
II.F.2015.005 | The Weekly Standard Article
II.F.2015.004 | The Anachronist
II.F.2015.003 | “Immortality on Their Faces”
II.F.2015.002 | Et album til bror nat
II.F.2015.001 | The Politics of Silence in Anne Carson’s Nay Rather
II.F.2014.007 | On Anne Carson’s Ghost Q&A
II.F.2014.006 | The Real Story Behind The New Yorker’s “Pronoun Envy” Poem
II.F.2014.005 | Editor’s Note
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