As listed in Decreation: Poetry, Essays, Opera:
“Some of the pieces in this collection previously appeared in the following:
“Longing, a Documentary” in Art on Paper
“Seated Figure with Red Angle (1988) by Betty Goodwin” in ArtForum
“Foam (Essay with Rhapsody): On the Sublime in Longinus and Antonioni” in Brick Magazine
“Tonality: The Colour of Eclipse” in Cabinet
“Blended Text” in Fence
“Lots of Guns: An Oratorio for Five Voices” in Gulf Stream
“Beckett’s Theory of Tragedy”; “Beckett’s Theory of Comedy”; “Ode to the Sublime by Monica Vitti”; and “Kant’s Question About Monica Vitti” in London Review of Books
“Lines”; “Some Afternoons She Does Not Pick Up the Phone”; “Despite Her Pain, Another Day”; “Stanzas, Sexes, Seductions”; “Gnosticisms I, II, III, IV, V, VI” in The New Yorker
“No Port Now”; “Nothing For It”; and “Her Beckett” in The Paris Review
“Every Exit Is an Entrance (A Praise of Sleep)” in Prairie Fire
“Sleepchains”; “Sunday”; “That Strength”; Methinks the Poor Town Has Been Troubled Too Long”; “Longinus’ Dream of Antonioni”; and “And Reason Remains Undaunted” in Raritan
“Guillermo’s Sigh Symphony” and “Quad” in Threepenny Review”
Carson, Anne. Decreation: Poetry, Essays, Opera. 1st Vintage Contemporaries ed. New York: Vintage Contemporaries, 2006.
Carson, Anne. Decreation: Poetry, Essays, Opera. London: Jonathan Cape, 2006.
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