unlost
Relational Bibliography
Works
About
/s?
Tag:
Drama
III.Q.1958.001 | Vertigo
III.J.1996.001 | The Designated Mourner
III.J.1986.001 | Drama, metadrama and perception
III.J.1963.002 | Dramatis personae
III.J.1963.001 | Metatheatre a new view of dramatic form
III.I.2001.002 | Hölderlin’s Sophocles
III.D.1998.001 | Electra and the empty urn
III.D.1991.003 | Why Mourning Becomes Elektra
III.D.1990.003 | Sophokles’ Elektra
III.D.1985.002 | Plautus in performance
III.D.1981.001 | Some Deceptive Oracles
III.D.1980.001 | The chorus in Sophocles’ tragedies
III.D.1977.005 | The stagecraft of Aeschylus
III.D.1973.002 | Towards Greek tragedy
III.D.1970.001 | The chorus of Greek drama within the light of the person and number used
III.D.1969.001 | Aeschylus’ Supplices
III.D.1908.001 | Aischylou Epta epi Thebas = The Seven against Thebes of Aeschylus
III.D.1901.001 | Aischylou Choēphoroi = The Choephori of Aeschylus
II.F.2012.003 | Look at the Wall
II.C.2021.015 | Sweet violence
II.C.2012.021 | Marrow versus marrow
II.C.2010.007 | Terror in the amphitheatre [Book review of Carson, Anne. An Oresteia (2010)]
II.C.2009.012 | Violent grace
II.C.2009.011 | The voice of the eagle
II.C.2009.009 | Tests of the chorus
II.C.2007.002 | The art of risk
II.C.2006.001 | Grief Lessons
I.F.2011.003 | Jude
I.D.2022.003 | What I Like about You, Baby
I.B.2015.002 | Antigone
I.B.2015.001 | Bakkhai, Euripides
I.B.2009.001 | An Oresteia
I.A.2021.002 | The Trojan Women
I.A.2019.001 | Norma Jeane Baker of Troy
I.A.2012.001 | Antigonick